A Maltese Foodie in Alabama
Southern barbecue is a practice rooted in poverty that has brought the southern flavour to the rest of the world.

A Maltese Foodie in Alabama

Arriving in the Southern United States after living her life in the Mediterranean, Miriam Calleja explores the local culture through salt, barbecue, butter, corn, and sugar.

Looking back over the last nine months, I wonder how this new place has become second nature to me. 

You see, I landed on a new continent after having lived practically all my forty years on an island south of Sicily in the Mediterranean. An island with its own language and particular culture, a melting pot that’s not entirely Italian and not quite Arabic and not quite anything but … Maltese. That island is Malta.

Salt and Satisfaction

I love cooking, and going to the supermarket in a new place is exciting. I daydreamed about this particular task before moving. Yet, for weeks, I could not get satisfaction in my own kitchen.

I thought that I might have lost my mojo and needed to adapt to a different oven or adjust my expectations of food that wasn’t quite what I was used to. Everything tasted too sweet, probably because it was, but even as I changed my purchasing habits, something was still missing. 

There isn’t a lack of salt in the food in Alabama, and southerners are famous for having the ability to deep fry anything. Oreos? Of course. Pickles? Hell, yeah.

I finally put my finger on it.

Salt comes from the sea, the ocean, mines, and all around us. My Mediterranean palate was searching for the salt it knows and, not finding it, communicated to my brain that something wasn’t right. But, like my mother tongue that doesn’t let me pronounce “pie” the way southerners do, my salt language still doesn’t feel quite … right.

Earth

Barbecue claims a long history in Alabama, and I’ve had to reclaim the significance I had previously assigned to the word. Here, it becomes almost synonymous with the consumption of slow-cooked pork. And, if fathomable, a barbecue sauce that comes in a white variety (allegedly first made in Alabama) and tastes absolutely delicious.

In Malta, barbecue is eponymous with summer, being at the beach, and probably eating some sand by mistake. It holds warm memories of fun nights with friends. Nobody makes a barbecue when they’re sad. However, it is technically grilling.

Barbecue in Alabama and the South is a slow process of indirect heat that makes meat fall off the bone and taste consistently divine. It is a practice rooted in poverty (the cooking of “cheap” cuts, rendering them palatable) that has brought the southern flavour to the rest of the world. 

History

An island that is taken over by different cultures and that serves as a port to many inherits cuisines that slowly get integrated because they must. Soppa tal-għarmla (widow’s soup), pastizzi (savoury cheese or pea cakes), bragioli (stuffed meat), fenek moqli (fried rabbit), and imqaret (date cakes) are just a few of these. You’ll find equivalents sailing to different ports around the Mediterranean.

Alabama’s history is rich, but some of its food is derived from poverty and circumstance. It also resulted from a melding of African, European, and Native American cultures meeting the New World. The cultivation of corn by Native Americans from 1000 to 1500 is the start of the Alabama food story. Its consumption in many forms spared later European settlers from starvation when other crops failed, as they understood how to tend to the land. 

Cornbread, grits, creamed corn, corn on the cob: The soil here seems to be made for growing this crop, made for sweetness. My first bite of well-cooked corn on the cob was an experience and one of the many times the locals have seen me sighing over something they’ve always known.

Butter

In the United States, you can buy biscuits in a can. 

Let me unpack this: Biscuits are flaky, savoury scones chock-full of butter. As you pull the little paper tab on the tube containing the biscuit dough, it pops open (expect to squeal!) and out come round discs of dough ready for baking. My husband was just as excited to watch me pop the tube open as he was to eat the biscuits, and he loves biscuits as any good southerner should.

Salt, barbecue, butter, corn, and sugar are just the amuse-bouche of the palate of this lush land. Food is tied to culture and history everywhere, but in Alabama, you can feel the roots run deep. 

The work of Alabama state poet laureate Ashley Jones in the poem Photosynthesis is a testament to this: 

This is the work we have always known,
pulling food and flowers from a pile of earth.
The difference, now: my father is not a slave,
not a sharecropper. This land is his and so is this garden,
so is this work.

Miriam Calleja

Traveller

Miriam Calleja is a prize-winning Maltese bilingual wordsmith and poet. She has three poetry collections: Pomegranate Heart, Inside, and Stranger Intimacy, and a collaboration titled Luftmeer. Her work appears in Sentinel Quarterly, Indigo Dreams Publishing, and The Gloucestershire Poetry Society, and is forthcoming in Modern Poetry in Translation. She hosts creative writing workshops and enjoys writing about health, food, and travel. Miriam believes that storytelling encourages unity, connection, and understanding. She has great faith in collaboration as a key to communication.

Time to Read:  4 Minutes
Traveller: Miriam Calleja
1 December 2022
Category:
Travellers' Tales - Food and Drink

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Meet Nima Sherpa, the Wild Honey Entrepreneur Preserving a Local Tradition While Responding to Modern Pressures
Introducing wild honey hunting into the tourism market requires careful consideration of how to keep this local tradition intact while protecting the natural environment. | Photo: Mark Levitin

Meet Nima Sherpa, the Wild Honey Entrepreneur Preserving a Local Tradition While Responding to Modern Pressures

Wild honey hunting has long been a tradition of the Himalayan Peoples. Local honey hunter and entrepreneur Nima Sherpa is finding creative ways to protect this ancient custom while sharing it with the wider world in a responsible and sustainable way.

Legions of angry bees swarm around the cliffs, the hives, and the tiny human figure hanging nonchalantly off a primitive, hand-woven rope ladder. 

Down below, where the rest of the honey-hunting team stands, the job is easier, but not by much — any unprotected patch of skin is repeatedly stung. The men seem to be immune to both the pain and the venom. 

Mr. Netrabadur Khorkha, the head hunter — that silhouette on the ladder — has to be even more careful: His job is risky enough without being molested by enraged insects. He operates two long bamboo poles like giant chopsticks. First, he breaks off the protruding part of a beehive. Next, he attaches a bucket to one of the poles, and collects the honey as it flows out.

Wild honey hunting has been a traditional industry of Himalayan Peoples — Sherpa, Gurung, and others — for as long as their history has been recorded. But as globalisation reaches rural Nepal, some entrepreneurial men are discovering new opportunities for their ancient customs: the value of Himalayan honey on the global market, the benefits of commercial organisation, and the tourism potential of hunting expeditions. 

Since receiving front-page coverage in National Geographic in 1988, this acrobatic tradition has been attracting journalists and photographers from all over the world. A few agencies in Kathmandu even offer fake honey hunting tours — expensive arrangements where the activity is re-created for tourists — destroying unfinished beehives in the wrong season. 

But responsible businessmen have to consider sustainability as well as the immediate profit.

“I grew up in Dolakha, a region where honey hunting is common,” says Nima Sherpa, the founder of Cliff Mad Honey company. “I have known many honey hunters since childhood, because they are from my village area. It was easy for me to contact them, call them to work with me. They wanted to sell all their honey. I bought all their honey. After that, they started working for me.”

Nima used to work as a trekking guide until this opportunity dawned on him: organise local honey hunters into a co-operative and export the honey. This honey is believed to have greater medicinal properties than the usual, domestic apiculture products. There are two harvesting periods per year, in spring and autumn, and the spring honey is particularly potent. In fact, it is known to cause hallucinations if consumed in large quantities. “When I took it, I had unpleasant shrinking sensations all over my body,” Nima recalls, “but some people just giggle a lot.”

He has established hunting routines and rotations, bringing honey hunters from the areas where few fresh hives have been found to ones rich with honey. In this way, he has created a simple but growing network that is mutually beneficial for the honey hunters, who get enough income every season, and for the bees, since the hives are given time to recover from being harvested. 

Nima has also introduced ecologically sound rules. These include never destroying more than 50 percent of the hives at each location and never hunting outside a certain radius from the villages. This allows the giant Himalayan bee (apis laboriosa) to breed safely higher up in the range.

“It is probably impossible to evaluate the bees’ population dynamics. Most of them live in completely inaccessible areas,” Nima says. “In my experience, bees’ numbers haven’t changed in the last five years. Some seasons we see fewer bee colonies in one spot, but more of them in another. Next season, it may be the other way around.” 

He also mentions a forest fire a few years ago, which drove the bees out of the affected region permanently. In his assessment, careful honey collection is not a threat to the species, but habitat destruction is.

Nima also happily arranges visits to the honey-hunting sites for photographers and journalists, but is hesitant about mass tourism. “I’ve tried,” he says, “but many tourists could not even reach the hunting spots, located high up in the mountains and only accessible to well-trained hikers. And a few got terrified by the bees. It’s a hard, hazardous job, and any unfit visitor might endanger the whole team.” Nima said he would consider another attempt at tourism, but next time, he says he will make it expensive and selective, an exclusive and extreme tour. 

When all is said and done, this may be the best compromise between the interests of tourists, the honey hunters, and the bees. 

Mark Levitin

Storyteller

Mark Levitin is an award-winning travel photographer and writer. Mark has been nomadic since the age of 18, which was before digital technologies had arrived in most of Asia, so he started off as an analogue nomad, then upgraded to a digital version. Mark’s preferred region of the world is South and SouthEast Asia. The driving force behind all his wandering is an insatiable curiosity: for anything, any knowledge, generally speaking, but first and foremost, for the diversity of human cultures. See some of Mark’s works on Instagram.

Time to Read:  3 Minutes
Storyteller: Mark Levitin
1 December 2022
Category:
Game Changers

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Beyond the Safari: My Journey with Jeremiah
Jeremiah Ngoka and Elsa Dixon enjoy the often-overlooked aspects of Tanzania. | Photo: Dana van Hook

Beyond the Safari: My Journey with Jeremiah

For many visitors, safaris across the Serengeti are the defining feature of Tanzania. Returning to the country after the global pandemic lockdown, Elsa Dixon learned the country goes far beyond its stereotypes, thanks to a local guide.

As darkness fell and the stars brightened the sky, we heard the taunting laugh of a lone hyena. My tour guide, Jeremiah Ngoka, stirred the logs on the campfire and sighed contentedly. “This is my life — taking tourists through the Serengeti. I dream of owning a safari vehicle to get more jobs.”

I was surprised. I thought that the job would come with a 4X4 jeep. He continued: “Luckily, I have a good friend, Gideon Faustin Kabitulila, who owns a safari company, and I drive for him. He also established a school in Arusha.”

As our safari took us through the dusty plains, I learned how much Jeremiah cares for his family. His brother had died, and, as tradition dictated, he also took on the responsibility for that family. 

After this trip, I returned home. Then the COVID-19 pandemic hit, and no one could travel. Despite the distance and strange circumstances, though, Jeremiah and I stayed in touch. There was no tourism to Tanzania, and Jeremiah resorted to baking maandasi pori (bush donuts), queen cakes, and potato and cassava crisps to earn an income. He lived in a small town called Mto wa Mbu (River of Mosquitos) close to the Ngorongoro Crater

As soon as the borders opened, I arranged another safari. This time, Jeremiah invited me to meet his mother, who oversees a health clinic. She is from the Chaga, and her husband is from the Pare tribe. The family communicates in Kiswahili. Because everyone was still wary of COVID, we wore masks. Jeremiah’s mom and I could not understand each other’s language, but we connected through bows and nodding heads. I was humbled when she presented me with a beautiful handspun tablecloth as a token of gratitude that I brought nine guests on tour to Tanzania.

Beyond Safari
Tingatinga is a colourful painting style that originated in East Africa.

Jeremiah arranged for a tuk-tuk to cycle through the neighbourhood. As we stopped at a reed structure, I wrinkled my nose as a sweet, pungent smell tickled my nostrils. 

Jeremiah laughed. “You will see how we make banana beer.” 

We passed a yard covered in white millet drying in the sun. He explained that these corn kernels were a staple food in Tanzania and that it was also used as a leavening agent when making banana beer. Jeremiah pointed to a huge cauldron sitting on an open fire outside. Handing me a long oar to help stir the thick mixture, he explained that they boiled ripe bananas for about four hours until the colour changed from white to red. These are then stored in large containers for a week before being mixed with millet. We joined a few other people to sip the foaming, orange-coloured liquid. 

Jeremiah beckoned me to follow him. I blinked at the explosion of colours on the fence: Tinga tinga paintings! Striped and dotted animals cavorted on vivid red, blue, yellow, and green backdrops. The tuk-tuk next stopped at a workshop where local artists were preparing for future buyers, carving wood into beautiful sculptures. 

As we passed an aromatic market, Jeremiah explained, “My friends will show you how to make wali maharage — beans and spicy vegetables served with rice. They also own a company taking visitors hiking and cycling.” I was struck by the enterprise of the villagers.

Bananas must be ripened before starting the process to ferment beer from this sweet fruit that grows

The following day, we visited Gideon’s Luwaini Pre & Primary School. I was impressed by the giant maps of Tanzania and Africa that decorated the outer walls. I met a neighbour who joined us as a representative of the community. The children, neatly dressed in school uniforms, sang some exuberant, welcoming songs. Gideon proudly showed us a small house where the cook prepared the children’s meals. A lonely milk goat was bleating near the enclosure. Gideon stressed how the school needed more resources.

That night, Gideon, Jeremiah, and I had dinner at a popular local barbecue restaurant in Arusha. As we neared the building, smoke billowed around us, and I inhaled the smell of nyama choma (barbecued beef and goat meat). We passed a huge outdoor kitchen with barbecue spits and vast pots of bubbling hot oil for frying potatoes. A hostess brought warm, soapy water for washing our hands while the tables around us buzzed with conversation.

We talked about how tourism affected different people in Tanzania: The Maasai who performed their traditional dances, in particular, the adumu or jumping dance, for tourists. The Hadzabe who still lived according to their old traditions but would take guests on hunting expeditions. And the Datoga tribe, which proudly demonstrates their blacksmithing skills.

To me, Tanzania had meant the Serengeti, safaris, and the great migration of the wildebeest — but it’s so much more. Banana beer, talented wood carvers, tuk-tuk rides, and the smell of roasted meat filling the air: This is the Tanzania I know now, thanks to Jeremiah.

Elsa Dixon

Traveller

Elsa Dixon is an award-winning freelance writer and contributor to stock photography sites who has been leading custom tours to South Africa and other countries since 2006. The company, TravelswithElsa LLC, has an active website and blogging component and lists her articles. She has published a biography of her father, an iconic South African entertainer (PIET wat POMPIES was), and a global award-winning memoir, Hippos, Hotspots, and Homelands. Recently retired, she also runs a private piano teaching studio. Headshot photo: HM Cotton

Time to Read:  4 Minutes
Traveller: Elsa Dixon
1 December 2022
Category:
Travellers' Tales - Meet the People

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